West Asian Art
(continued from page 1)
Assyrian relief of prisoners
After the Dark Ages, by around 1000 BC, the Assyrians became the biggest power in West Asia, and they created many important works of art. The Assyrians continued the Mesopotamian tradition of rounded forms, and continued to write over the surface of their stone carvings, and to represent their war victories, but they did it all in a much more organized and impressive style than earlier people had, and they used their art to frighten other people who were visiting their palaces.
Assyrian relief of a siege
Later Assyrian
kings made the same kind of impressive carvings to show their power
in their own palaces: these are from Assurbanipal's palace at Susa (they
are now in the Louvre).
Assyrian bull
Floating cedars on the river to Assur
The left-hand picture shows a bull-man protective
spirit who guarded the doorway to the king's palace. It is very big,
about twice as tall as a grown man. Can you see that the spirit has
five feet? That is so it will look right from the side and also from
the front.
The right-hand one shows people in boats bringing cedar logs from Lebanon down the Euphrates river to Susa for the Assyrian king; the designer wants you to see that the Assyrian king is so powerful that he rules all the way to Lebanon. Can you see the fish in the river?
In the 600s BC the Assyrian Empire collapsed and the Babylonians took over again. They wanted to show how traditional they were, and how they were restoring the past, and so they went back to using a lot of clay in their art.
The right-hand one shows people in boats bringing cedar logs from Lebanon down the Euphrates river to Susa for the Assyrian king; the designer wants you to see that the Assyrian king is so powerful that he rules all the way to Lebanon. Can you see the fish in the river?
In the 600s BC the Assyrian Empire collapsed and the Babylonians took over again. They wanted to show how traditional they were, and how they were restoring the past, and so they went back to using a lot of clay in their art.
Ishtar Gate
This is made by making a lot of clay bricks in molds,
glazing them in different colors, and putting them together in the right
order to make a picture. It is another guardian spirit like the Assyrian
one above.
More about West Asian art (page three)

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